"Joy and pleasure are as real as pain and sorrow and one must learn what they have to teach. . . ." -- Sean Russell, from Gatherer of Clouds

"If you're not having fun, you're not doing it right." -- Helyn D. Goldenberg

"I love you and I'm not afraid." -- Evanescence, "My Last Breath"

“If I hear ‘not allowed’ much oftener,” said Sam, “I’m going to get angry.” -- J.R.R. Tolkien, from Lord of the Rings

Wednesday, March 04, 2009

Now This Is News


Berthold Steinhilber, Smithsonian


From Smithsonian magazine:

Unlike the stark plateaus nearby, Gobekli Tepe (the name means "belly hill" in Turkish) has a gently rounded top that rises 50 feet above the surrounding landscape. To Schmidt's eye, the shape stood out. "Only man could have created something like this," he says. "It was clear right away this was a gigantic Stone Age site." The broken pieces of limestone that earlier surveyors had mistaken for gravestones suddenly took on a different meaning.

A little more detail from Archeology:

At first glance, the fox on the surface of the limestone pillar appears to be a trick of the bright sunlight. But as I move closer to the large, T-shaped megalith, I find it is carved with an improbable menagerie. A bull and a crane join the fox in an animal parade etched across the surface of the pillar, one of dozens erected by early Neolithic people at Göbekli Tepe in southeastern Turkey. The press here is fond of calling the site "the Turkish Stonehenge," but the comparison hardly does justice to this 25-acre arrangement of at least seven stone circles. The first structures at Göbekli Tepe were built as early as 10,000 B.C., predating their famous British counterpart by about 7,000 years.

The oldest man-made place of worship yet discovered, Göbekli Tepe is "one of the most important monuments in the world," says Hassan Karabulut, associate curator of the nearby Urfa Museum. He and archaeologist Zerrin Ekdogan of the Turkish Ministry of Culture guide me around the site. Their enthusiasm for the ancient temple is palpable.

By the time of my visit in late summer, the excavation team lead by Klaus Schmidt of the German Archaeological Institute has wrapped up work for the season. But there is still plenty to see, including three excavated circles now protected by a large metal shelter. The megaliths, which may have once supported roofs, are about nine feet tall.

Göbekli Tepe's circles range from 30 to 100 feet in diameter and are surrounded by rectangular stone walls about six feet high. Many of the pillars are carved with elaborate animal figure reliefs. In addition to bulls, foxes, and cranes, representations of lions, ducks, scorpions, ants, spiders, and snakes appear on the pillars. Freestanding sculptures depicting the animals have also been found within the circles. During the most recent excavation season, archaeologists uncovered a statue of a human and sculptures of a vulture's head and a boar.


The interesting thing is that there are no indications of permanent habitation at that location, which, given the time frame, makes sense: if agriculture had been invented yet, it was in a rudimentary form. These were hunter/foragers.

So, your assignment today is to spend some time thinking about the relationship between human creativity, art, and the urge to worship.

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