Another group that I happened on somehow, and became wildly enthusiastic. The did some tough stuff.
"Joy and pleasure are as real as pain and sorrow and one must learn what they have to teach. . . ." -- Sean Russell, from Gatherer of Clouds
"If you're not having fun, you're not doing it right." -- Helyn D. Goldenberg
"I love you and I'm not afraid." -- Evanescence, "My Last Breath"
“If I hear ‘not allowed’ much oftener,” said Sam, “I’m going to get angry.” -- J.R.R. Tolkien, from Lord of the Rings
"If you're not having fun, you're not doing it right." -- Helyn D. Goldenberg
"I love you and I'm not afraid." -- Evanescence, "My Last Breath"
“If I hear ‘not allowed’ much oftener,” said Sam, “I’m going to get angry.” -- J.R.R. Tolkien, from Lord of the Rings
Showing posts with label rock. Show all posts
Showing posts with label rock. Show all posts
Wednesday, April 22, 2020
Wednesday, March 04, 2020
Culture Break: Shaka Ponk : Palabra mi amor
With thanks to commenter jaspersdad at Joe.My.God. I had never heard of them, but here's the Wikipedia entry, if you want to learn more.
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Wednesday, September 25, 2019
Culture Break: Linkin Park: The Catalyst
Given the state of the country these days, this seems appropriate:
And yes, Linkin Park is one of my favorite bands, right up there with the Chicago Symphony Orchestra.
And yes, Linkin Park is one of my favorite bands, right up there with the Chicago Symphony Orchestra.
Sunday, July 08, 2018
Review: Linkin Park: Meteora
Another one that originally appeared on Epinions, where it no longer exists in any form.
First, a little history: I tend to poke around on YouTube for AMVs from anime that use good music -- it's the combination that makes a successful AMV, and I've found some really good ones. One was done by a very talented young lady using Linkin Park's "Breaking the Habit" as the soundtrack. (The anime clips were from X, which itself looks very interesting.) I was quite taken by the song, and eventually laid hands on the CD. It took some getting used to -- "Breaking the Habit" is not typical of Linkin Park's style. I'm not particularly fond of screaming vocals, nor am I all that patient with rap. Why on earth was I listening to Linkin Park and liking it?
First off, I have my own approach to music: if it's an idiom new to me, I let myself soak in it until I start to understand where the artist is coming from. Consequently, I've learned a lot about many different kinds of music, most of which I enjoy. So I soaked.
If Depeche Mode is the Mahler of popular music, Linkin Park is the Wagner -- they have that kind of excess, that over-the-top, almost expressionistic flair that's one of the things I love about Wagner. And they make really interesting sounds. The music is very rich, textured, layered stuff with a lot of depth, and what I can only call an "emotional dynamic range" that's surprising in popular music. I think it's the combination of Mike Shinoda's rap with Chester Bennington's passionate singing -- and I use the word advisedly: Bennington is capable of much more than screaming, but he's always intense. Shinoda's rap folds into Bennington's singing beautifully -- Shinoda packs a wide enough range of expression into his delivery that I'm not sure you can really call it "rap" any more. Backed by a wall of sound from Rob Bourdon (drums), Brad Delson (guitars), Phoenix (bass), and the sampling by Joseph Hahn and Shinoda, it's a potent sound. A song like "Easier to Run" shows the range this group can pack into less than three-and-a-half minutes, the pathos overlaid by the urgency they somehow build into a long melodic line.
Which brings me to what really got to me: the lyrics. Sadly, there is an element of truth to the canards about pop song lyrics: most of them are pretty shallow. When I listened to the words in "Breaking the Habit," and then "Easier to Run," "Nobody's Listening," and "Numb," I was hooked. First, I think the message here is going to reach any teenager, and maybe even some a little older: it's about anger, it's about being lost and confused, it's about the frustration inherent of becoming an adult, about being seen as a child when you're not any more, all told from a surprisingly mature point of view. A line like "All I want to do/is be more like me/and be less like you" (from "Numb") makes you stop and think: there's the child's struggle for independence, right there. And growing up gay when and where I did, "Somewhere I Belong" and "Easier to Run," to name only two, were like seeing into my own head as a teenager. There are levels of meaning there that reflect a very sophisticated level of songwriting, and an emotional load that, even if not intentional, will not let you walk away from this music.
It’s not a perfect collection. The first half is uneven, with more valleys than peaks, but "Easier to Run" leads into a set of very strong numbers covering more than half the album, conceived and performed at a very high level: the best ones are stellar. Being the glutton for punishment that I am, I can't get enough of this music.
First, a little history: I tend to poke around on YouTube for AMVs from anime that use good music -- it's the combination that makes a successful AMV, and I've found some really good ones. One was done by a very talented young lady using Linkin Park's "Breaking the Habit" as the soundtrack. (The anime clips were from X, which itself looks very interesting.) I was quite taken by the song, and eventually laid hands on the CD. It took some getting used to -- "Breaking the Habit" is not typical of Linkin Park's style. I'm not particularly fond of screaming vocals, nor am I all that patient with rap. Why on earth was I listening to Linkin Park and liking it?
First off, I have my own approach to music: if it's an idiom new to me, I let myself soak in it until I start to understand where the artist is coming from. Consequently, I've learned a lot about many different kinds of music, most of which I enjoy. So I soaked.
If Depeche Mode is the Mahler of popular music, Linkin Park is the Wagner -- they have that kind of excess, that over-the-top, almost expressionistic flair that's one of the things I love about Wagner. And they make really interesting sounds. The music is very rich, textured, layered stuff with a lot of depth, and what I can only call an "emotional dynamic range" that's surprising in popular music. I think it's the combination of Mike Shinoda's rap with Chester Bennington's passionate singing -- and I use the word advisedly: Bennington is capable of much more than screaming, but he's always intense. Shinoda's rap folds into Bennington's singing beautifully -- Shinoda packs a wide enough range of expression into his delivery that I'm not sure you can really call it "rap" any more. Backed by a wall of sound from Rob Bourdon (drums), Brad Delson (guitars), Phoenix (bass), and the sampling by Joseph Hahn and Shinoda, it's a potent sound. A song like "Easier to Run" shows the range this group can pack into less than three-and-a-half minutes, the pathos overlaid by the urgency they somehow build into a long melodic line.
Which brings me to what really got to me: the lyrics. Sadly, there is an element of truth to the canards about pop song lyrics: most of them are pretty shallow. When I listened to the words in "Breaking the Habit," and then "Easier to Run," "Nobody's Listening," and "Numb," I was hooked. First, I think the message here is going to reach any teenager, and maybe even some a little older: it's about anger, it's about being lost and confused, it's about the frustration inherent of becoming an adult, about being seen as a child when you're not any more, all told from a surprisingly mature point of view. A line like "All I want to do/is be more like me/and be less like you" (from "Numb") makes you stop and think: there's the child's struggle for independence, right there. And growing up gay when and where I did, "Somewhere I Belong" and "Easier to Run," to name only two, were like seeing into my own head as a teenager. There are levels of meaning there that reflect a very sophisticated level of songwriting, and an emotional load that, even if not intentional, will not let you walk away from this music.
It’s not a perfect collection. The first half is uneven, with more valleys than peaks, but "Easier to Run" leads into a set of very strong numbers covering more than half the album, conceived and performed at a very high level: the best ones are stellar. Being the glutton for punishment that I am, I can't get enough of this music.
Tuesday, June 26, 2018
Culture Break: Led Zeppelin: Kashmir
This one just popped into my head (which tends to happen when you've been listening to music since you could discern sounds). I don't think I need to say anything about it, except that it was released over forty years ago.
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